Ongoing Bibliography

Ongoing Bibliography:

An ongoing reference guide to the written texts referred to over the course of this blog.

Bolton, C A 2002, ‘From Wooden Cyborgs to Celluloid Souls: Mechanical Bodies in Anime and Japanese Puppet Theater,’ in positions, vol. 10, no. 3, pp. 729-771.

Bowman, M R 2011, ‘Beyond maids and Meganekko: Examining the Moe phenomenon,’ in Cinephile: Reassessing Anime, vol. 7, no. 1, pp. 14-18.

Brophy, P 2011, ‘The Sound of an Android’s Soul: Music, Muzak and MIDI in Time of Eve,’ in Cinephile: Reassessing Anime, vol. 7, no. 1, pp. 9-13.

Cannon, J A 2011, ‘Editor’s Note,’ in Cinephile: Reassessing Anime, vol. 7, no. 1, p. 2.

Drazen, P 2003, Anime Explosion, Stone Bridge Press, Berkeley.

Gilson, M 1998, ‘A Brief History of Japanese Robophilia,’ in Leonardo, vol. 31, no. 5, pp. 367-369.

Gotz, I L 2001, Technology and the Spirit, Praeger, Westport.

Gray, C H 2002, Cyborg Citizen: Politics in the Posthuman Age, Routledge, London.

Haraway, D J 2001, ‘A Manifesto For Cyborgs: Science, Technology, And Socialist Feminism in the 1980s,’ in Grenville, B (ed.), The Uncanny: Experiments in Cyborg Culture, Arsenal Pulp Press, Vancouver.

Hutson, S R 2000, ‘The Rave: Spiritual Healing in Modern Western Subcultures,’ in Anthropological Quarterly, vol. 73, no. 1, pp. 35-49.

Huxley, A 2006, Brave New World, Longman Literature, Essex.

Kaplan, F 2004, ‘Who is Afraid of the Humanoid? Investigating Cultural Differences in the Acceptance of Robots,’ in International Journal of Humanoid Robotics, vol. 1, no. 3, pp. 1-16.

Krebs, S 2006, ‘On the Anticipation of Ethical Conflicts between Humans and Robots in Japanese Mangas,’ in IRIE: International Review of Information Ethics, vol. 6, pp. 63-68.

Leong, J 2011, ‘Reviewing the “Japaneseness” of Japanese Animation: Genre Theory and Fan Spectatorship,’ in Cinephile: Reassessing Anime, vol. 7, no. 1, pp. 19-24.

Loza, S 2001, ‘Sampling (Hetero)Sexuality: Diva-Ness and Discipline in Electronic Dance Music,’ in Popular Music, vol. 20, no. 3, pp. 349-357.

Marsh, C & West, M 2003, ‘The Nature / Technology Binary Opposition Dismantled in the Music of Madonna and Bjork,’ in Lysloff, R & Gay, L (eds), Music and Technoculture, Wesleyan University Press, Connecticut, pp. 182-203.

Miyake, 2009, ‘Prevalence and correlates of illicit and non-medical use of psychotropic drugs in Japan: Findings from the World Mental Health Japan Survey 2002-2004,’ in Social Psychiatry and Psychiatric Epidemiology, vol. 44, no. 9, pp. 777-783.

Orbaugh, S 2009, ‘Manga and anime,’ in Bould, M, Butler, A M, Roberts, A & Vint, S (eds), The Routledge Companion to Science Ficiton, Routledge, London, pp. 112-122.

Park, J C H, 2005, ‘Stylistic Crossings: Cyberpunk Impulses in Anime,’ in World Literature Today, vol. 79, no. 3/4, pp. 60-63.

Pini, M 2006, ‘Women and the Early British Rave Scene,’ in Bennett, A, Shank, B & Toynbee, J (eds), The Popular Music Studies Reader, Routledge, New York, pp. 370-376.

Reynolds, S 1994, ‘Generation E: British Rave,’ available from: http://www.thefreelibrary.com/Generation+E:+British+rave-a015204416 [accesed on March 21, 2010], published by Artforum International.

Robertson, J 2007, ‘Robo Sapiens Japanicus: Humanoid Robots and the Posthuman Family,’ in Critical Asian Studies, vol. 39, no. 3, pp. 369-398.

Ruh, B 2004, Stray Dog of Anime: The Films of Mamoru Oshii, Palgrave Macmillan, New York.

Russel, K 2008, ‘The Glimpse and Fan Service: New Media, New Aesthetics,’ in The International Journal of the Humanities, vol. 6, no. 5, pp. 105-110.

Schneider, J 2005, Donna Haraway: Live Theory, Continuum, London.

Silvio, C 1999, ‘Refiguring the Radical Cyborg in Mamoru Oshii’s Ghost in the Shell,’ in Science Fiction Studies, vol. 26, pp. 54-72.

Sotirin, P 2005, Chapter Eight: Becoming-woman,’ in Stivale, C. J (ed.) 2007, Gilles Deleuze: Key Concepts, Acumen Publishing Limited, Stocksfield, pp. 98-109.

St John, 2004, ‘Introduction,’ in John, St G (ed.), Rave Culture and Religion, Routledge, London, pp. 1-15.

Ueno, T 1999, ‘Techno-Orientalism and media-tribalism: On Japanese animation and rave culture,’ in Third Text, vol. 13, no. 47, pp. 95-106.

Yamamoto, J 2004, ‘Recent Trends of Drug Abuse in Japan,’ in Annals of the New York Academy of Science, vol. 1025, no. 1, pp. 430-438.

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